All I could remember from those lessons were her screaming "Bravo! Bravo!" and me playing Suzuki volume god-knows-what. But I was never fond of the instrument, simply because it is just so difficult to produce a good-sounding tone, and for such a young girl, it must have been really hard to understand tone and pitch production.
Years passed, perhaps about 3-4 years, she planned to migrate to another country and therefore I had to find another teacher. She recommended Mr Kong Zhao Hui, who takes up the seat in SSO's (Singapore Symphony Orchestra) first violin section. There were some alternations among his family, his wife, himself, his nephew and his father. Most of the time, I was with his father. From him, I learned a lot about tone production and basic techniques. I was with him for the majority of my violin journey, about 6 years. By then, I was already 13 years old and have been accepted into School Of The Arts (SOTA) Singapore, a timely tertiary art school built in Singapore. Thus, I had to move off from this teacher to the one I was assigned in SOTA, Ms Andrea Oey.
Side tracking, what happened at home was a series of fighting against my parents for not wanting to practice and being 'forced' to perform in front of my relatives during special occasions and gatherings. It made me really dislike the instrument...
Halfway through my SOTA education, I got a new teacher Ms Margit Saur. Being taught by her was an eye-opening experience for me. Not only was she patient, the technique she use to teach me was so easily understandable and equipped me with additional techniques I never learnt before. In the period of her tutelage, I progressed exponentially. I began to score higher and higher, it was thrilling. As I progressed, I've grown to really like the instrument and really realised my potential in becoming a good violinist and performer. With her guidance, I even won an audition to go on a tour in Switzerland and Italy as a solo and chamber performer. Looking back, it really was a big deal, being able to perform overseas as guest players. I also got accepted by Berklee College of Music in Boston with partial scholarship, though I did not accept it ultimately.
I will admit, I really am glad that my parents forced me to perform in front of my relatives, as it really prepared me as a performer now anytime anywhere. Years passed and here I am, on a scholarship studying in NAFA (Nanyang Academy of Fine Arts), where it's purely music education. Being under the tutelage of Mr Foo Say Ming, it is yet another eye-opening experience. The exposure of new techniques in tone production and intonation was explicable and so I managed to catch on rather quickly. And even more recent, I got to pass on my knowledge as a violin teacher to my student, and I think to myself "what a journey I had and will have with the time to come"...
I feel that I'm getting closer and closer to my dream, and I hope this post has inspired you to do the same with your passion.